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REFERENCE
SECTION
SENTINEL
MAIN SCREEN OPERATIONS
This section covers the operation of the keys on the
keyboard - how to use them and what they are used for.
The main screen information is also explained.
LAMP ON AND OFF
CONTROL
Use to turn
the lamps on and off. When in White Light
mode the lamps turn off immediately. When the
Starlite is in Filtered Color mode, the lamps will only
turn off if the head is on perfect color. This
may cause a delay of a few seconds, which is normal.
EXPOSURE TIME ENTRY
Use to enter
an exposure time in seconds. The allowable range is
from .1 to 999.9, however we recommend keeping the exposure
time above 1 second for optimum performance. NOTE:
The displayed density will change when the exposure
time is changed unless the Time-to-Density Correction
preference is Inactive. See the section for the Starlite
Preferences menu .
MAKING AN EXPOSURE
Use to start
an exposure. An exposure starts with the lamps turning
on for a split second before the Colorhead's
shutter opens. When the shutter opens, the internal
timer will start to count down to 0 (zero), clicking
every second for dodging and burning. The print counter
will count up or down one exposure, depending on the
how the print counter target is set.
Be sure that the head is not in White Light mode when
making an exposure. If the display reads "FILTERS
OUT," simply press to return
to filtration Mode. Also, be sure the color filtration
is set before trying to start an exposure. If the filtration
is not set when is pressed, the colorhead will beep and the keypad's display will
read "FILTERS NOT SET." This indicates that
the filters are in an unknown state. This is remedied
by entering a color correction value for any of the
Density, Cyan, Magenta, or Yellow settings. Another
quick way to do this is to turn the lamps on,
then off, by pressing twice.
DENSITY ENTRY
To enter a new density value press
, enter the numerical value for the new density and
press . You can also adjust the density by pressing and then using
or to increase or decrease the density value. When you press
the
light will come on, the colorhead will adjust for the
new density, and the light will turn off. If the light
source can not make the density change, the exposure
time will be adjusted automatically to make up for the
density change using time.
CYAN,
MAGENTA, AND YELLOW FILTRATION ENTRY
The CMY values can be entered using ,
, and
keys. The operation is identical for all three color
channels. Press the appropriate color key and then enter
the numerical value for the filtration, or use or
to increment or decrement the value. Press to complete the filtration entry. The lamps will turn
on as the filtration is set, turning off
only after a perfect filtration is reached. A few seconds
delay while this occurs is normal. The light source
does have limits on the filtrations it can reach, and
if you enter a value outside the limits the filtration
will be adjusted to closest value it can reach. The
limit values will also change depending on what the
various offsets are set to. NOTE: The CMY values
are always normalized to the lowest filtration value
(usually Cyan). One of the three colors will always
be forced to 0 and indicated by a '--'in the display.
PRINT COUNTER
OPERATION
On the main screen, the current print count is displayed.
The count may be reset using the print count selection
in the main menu . The print counter can count up or
down depending on your preference. For example if you
want to make 10 prints, you can enter Quantity 10 in
the main menu , which will tell the Colorhead you want
to make ten prints. Each exposure will decrement the
count on the main screen until the count reaches 0 (zero).
Upon reaching 0 the keypad beeps three times to let
you know the 10 prints are done. Entering a value of
0 (zero) into the counter will cause it to merely keep
track of the number of prints made thereafter. With
each exposure the count will increment until the count
reaches 999 when the count stops.
JOB MEMORY SAVE
The Sentinel currently has 200 job memory channels
that can be used to store specific print jobs. The information
stored is the D,C,M, and Y filtration settings, exposure
time, Emulsion number, and f-stop. The Autofocus setup
is also saved; this includes the print size or magnification,
carrier, negative size, lens, and easel information.
The f-stop is used only for the operators reference
and is not used in any of the calculations. To save
a job press . You will
be prompted for a job number: enter a five digit number
of your choice, then press . If
that number is already in use you will be asked if you
would like to over-write the old job information. Next
you will be prompted for a f-stop value, you may enter
a f-stop value if you wish, it will be displayed when
the job is recalled. It is a good practice to always
save the setup during test printing to ensure that you
are printing with the latest print data.
JOB MEMORY RECALL
To recall or load a job that was previously saved press
. You will be prompted to enter a job number. Enter the
job number and press .
If a previously-stored job by that number is not found
the display will show "DOESN'T EXIST, TRY AGAIN."
When a job is recalled the light will turn on and the
filtration will be put in, as the recalled f-stop is
displayed for a few seconds. The enlarger will also
move into position for the stored print size and focus.
The display will then go back to the main screen and
light will turn off. The Sentinel is now ready for printing.
LCD
DISPLAY AND KEY BACKLIGHTS CONTROL
Use to
turn the keypad backlighting on and off. When in the
off position and are
dimly lit so you can easily find them in the dark. On
the back of the keypad you may adjust the backlights
brightness with the small adjustment knob. The LCD display
contrast can be adjusted on the back of the keypad with
a small slotted screwdriver. Large changes in room temperature
may cause the display contrast to change.
DENSITY PROBE
OPERATION
The baseboard Density Probe is primarily used to keep
the colorhead Density calibrated. An 8x10 print that
prints at D64 should also yield the same print density
when enlarged to 11x17 and the Density should still
read D64, the difference is measured by the Starlite,
which needs to make up for the light falloff by increasing
the time or increasing the light output. This adjustment
is done using the Density Probe. When you click on the
Density Probe button, the lamps will turn on
while the density at the baseboard is measured. During
this time, the keypad will display the word "PROBING..."
in the upper left area of the screen. The probing cycle
will finish automatically when a stable probe reading
is taken. At that time the lamps will be adjusted to
the correct density and then the lamps will switch off.
AUTOFOCUS
/ MANUAL-FOCUS CONTROL
Use to turn
the Autofocus mode on and off. The Autofocus mode is
active when "SIZE" is displayed in the upper
right corner of the main display. When the display reads
"MANUAL" the Autofocusing system is inactive.
When in Manual mode you may focus the enlarger using
or in the numeric keypad area. (See next section.)
ZOOMING
AND JOGGING THE ENLARGER
There are two sets of ,
and that are
used for jogging (or zooming) the enlarger up and down.
and next to
are the main zoom keys and move the enlarger up and
down the column in both Manual and Autofocus modes.
and in the numeric keypad area are active only in Manual-focus
mode, and are used for small movements to focus the
enlarger. can be
used in conjunction with either set of or
. You can hold down
or for continuous movement or tap the keys for small movements.
CARRIER LOADING
OPERATION
The Sentinel is equipped with an automatic carrier
loading system to allow easy changing of the carrier
even when you are making prints with the enlarger near
the top of the column. When you press and simultaneously, the enlarger will move to the load position, so you
can load or unload the carrier. When finished, press
and
the enlarger moves back to the exact position it was
before the loading, ready for printing. You should pick
a convenient load position and set it using the Set
Load Position preference. (See Sentinel Preferences
section.)
AUTOSIZING OPERATION
You can size a print by using the zoom keys or you
can use to autosize to a specific printsize or magnification,
which is the fastest way to move the enlarger to a given
size. Press and the
display will prompt for either magnification or print
size, whichever was currently displayed on the main
screen. To switch between print size and magnification
entry press
again. When in Print Size Entry mode you may press
to toggle between inches or millimeters. Enter the new
print size or magnification and press . The
enlarger will move to that position and go into Autofocus
mode, unless it hits a limit first, in which case it
will stop at the limit. Note that the printsize is based
on the magnification multiplied by the negative size,
and the negative size can be selected using the Sentinel's
main menu .
While zooming the image or using
to move the enlarger to a new size you will notice that
the light comes on and changes a few seconds after the
enlarger stops at a new position. This is the Size to
Density Correction in the Starlite adjusting the lamps
density up or down to achieve a constant print density
regardless of what size the enlarger is at. This automatic
correction only happens when the Size to Density mode
is set to Active in the Starlite Preferences menu .
This feature makes it unnecessary to re-test for changes
in print size.
VIEWING THE
AUTOFOCUS SETUP
Press to display
the current Lens, Carrier, Easel and Negative size currently
in use. Use this feature for double-checking which Carrier
and Easel are selected. This can be useful if the enlarger
is not focusing sharply because the correct Carrier
or Easel is not selected.
SENTINEL
ENLARGER MENUS LAYOUT

SENTINEL MAIN MENU
ACCESS WITH THE 'MENU' KEY ON THE SENTINEL KEYPAD.
This section covers the Sentinel Enlarger's main menu
, which is displayed by pressing on the
keypad. As the name suggests, it is the main menu, through
which several commonly-used functions may be performed.
It also gives access to the enlarger's sub-menus, allowing
total control of the Sentinel Enlarging system.
1: STARLITE MENU OPTIONS
2: NEGATIVE SIZE
3: EASEL SELECT
4: CARRIER SELECT
5: SENTINEL PREFERENCES
6: SENTINEL CALIBRATION
7: SENTINEL MAINTENANCE
8: SENTINEL DIAGNOSTICS
->1: STARLITE MENU OPTIONS
To access the Starlite Colorhead main menu press here. From the Starlite main menu you can access all of the options
specific to the colorhead, such as Emulsion offsets,
Process offsets, Colorhead diagnostics etc. Please refer
to the Starlite main menu section for more information.
->2 : NEGATIVE
SIZE
To enter a negative size or an image crop size, use
this selection. The negative size is used when the main
screen is reading out a print size (at the baseboard
or easel) which is calculated by multiplying the negative
size by the current magnification. You may enter a negative
size in either inches or millimeters, using to toggle
between Imperial and Metric measurements. First select
the correct units and then enter the negative size.
You do not have to use the size of the negative format
(e.g. 35mm or 4in), you can measure a section of the
negative and enter that dimension, if that is the critical
dimension for cropping the image. As soon as the new
dimension is entered, the print size will show the correct
new size on the main display.
->3 : EASEL SELECT
To select an Easel offset use this menu function. You
will be presented with a list of available easels, starting
with "NONE" and then letters 'A' through 'H'.
Selecting "NONE" will load an Easel offset
of zero which means no easel is being used. For accurate
autofocus and autosizing each easel must be designated
with a letter and setup using the Easel Setup procedure
(See Sentinel Calibration Menu section). Whenever an
easel is used you must select it to allow the autofocus
system to compensate for the easel height.
->4: CARRIER
SELECT
To select a Carrier offset use this menu function.
Like the Easels, Carriers must be setup using the Carrier
Setup procedure (See Sentinel Calibration Menu section).
Select the appropriate Carrier offset using this menu
function. The carriers are listed by format size, for
convenient reference.
->5: SENTINEL PREFERENCES
To configure your Sentinel Enlarger to your specific
needs, go into this sub-menu and make the appropriate
changes to the factory set preferences. Some of the
preferences are to set the top limit if you have a low
ceiling, and to set the carrier load position for easy
access to negative carrier stage. You can also activate
or deactivate the security lock in the Preferences menu
. (See Preferences Menu section.)
->6 : SENTINEL CALIBRATION
This sub-menu allows the setup of the autofocus systems
of the Sentinel Enlarger. In this menu you may setup
the Lens, Easels and Carriers. This is necessary before
the Autofocus can be used.
->7 : SENTINEL MAINTENANCE
Use the selections in this sub-menu to erase job memories
and perform other memory maintenance operations.
->8: SENTINEL DIAGNOSTICS
Use the selections in this sub-menu to perform troubleshooting
operations on the autofocus systems.
SENTINEL
PREFERENCES MENU
ACCESS THROUGH ITEM 5 IN THE SENTINEL MAIN MENU.
1: SET LOAD POSITION
2: SET TOP LIMIT
3: CLEAR TOP LIMIT
4: SET BELLOWS LIMIT
5: CLEAR BELLOWS LIMIT
6: ENTER ENLARGER ID #
7: SET SECURITY LOCK
A NOTE ABOUT SENTINEL PREFERENCES: Since there
is a possible chance of damaging the enlarger through
improper Preference settings, a security lock is implemented
to prevent a novice operator from accidentally changing
a preference without referring to the instruction manual.
This lock must be disabled before any other changes
can be made.
->1: SET LOAD POSITION
Select this item to set (memorize) the carrier loading
position you would like the enlarger to go to for convenient
access of the negative carrier. To set the load position,
first jog the enlarger to the preferred position, anywhere
along the column, and then select this menu item to
memorize the position. During normal operation, the
Sentinel may be called to this loading position at any
time by pressing
and at the same time. To return to normal operation, press
, and
the Sentinel will return to it's previous position,
ready for printing.
->2 : SET
TOP LIMIT
To set the top limit of the enlarger's travel lower
than the factory setting, use this menu selection. If
you have a low ceiling you should set the top limit
about an inch or two short of the colorhead hitting
the ceiling. To set the limit, first jog the enlarger
to the desired maximum height, then select this menu
item to set the new top limit. Not setting the top limit
may cause damage to the enlarger or your darkroom if
the colorhead crashes into the ceiling.
->3 : CLEAR TOP LIMIT
Use this menu item to clear the top limit setting.
This may be necessary if the limit was accidentally
set too low.
->4 : SET BELLOWS LIMIT
Use this menu item to set the maximum bellows separation
distance. This distance is factory set to the correct
amount and should not require any changes. If you choose
to modify your bellows you can change the limit by jogging
in Manual-focus mode to open the bellows and then select
this menu function to set the limit at that distance.
WARNING: If the bellows separation is allowed to
go further than about 16 inches you will potentially
damage the Lens Stage Cable (behind the Bellows) or
the Bellows encoder module.
->5 : CLEAR BELLOWS LIMIT
Use this menu item to clear the bellows separation
distance. Selecting this item can potentially damage
the enlarger, if you do not immediately set a new limit
position. See Warning in previous item.
->6: ENTER ENLARGER ID NUMBER
Use this menu item to set the enlarger identification
number. This is only used when the enlarger is setup
on a lab network system with multiple enlargers connected
to a central computer.
->7 : SET SECURITY LOCK
Use this menu selection to turn on or turn off the
security lock feature. When the security lock is on,
the operator is not allowed to Setup Lenses, Carriers,
Easels or modify any Preferences or Calibrations since
accidental use of those procedures can cause a great
deal of lost time in re-setting up or possibly damage
the equipment. To turn off the security lock, select
this menu item, then press
and then press . The
lock remains off until it is turned on or until the
enlarger power is switched off.
SENTINEL
CALIBRATION MENU
ACCESS THROUGH ITEM 6 IN THE SENTINEL MAIN MENU.
1: SETUP LENS
2: SETUP EASEL
3: SETUP CARRIER
4: SETUP DROP TABLE
A NOTE ABOUT THE CALIBRATION MENU: The procedures
in the Calibration menu are relatively time consuming
setup procedures that should only be performed once
for each item. To reduce the chance of accidentally
overwriting a good setup, the Security Lock must be
turned off before these setups can be performed. (See
Preferences section.)
->1 : SET UP
LENS
Use this menu item to setup a lens for proper autofocus
operation. Each lens is setup separately, and only one
time. If a new lens is installed that lens must be setup
even if it is labeled the same as the old lens. Setting
up a lens entails focusing at a small size, then at
a large size. To setup a lens follow these steps:
- At the main screen, rotate the lens turret to
select the lens to be setup, wait to hear the double
click.
- Remove the easel if you are currently using one
and select Easel "NONE" from the "SELECT
EASEL" menu .
- Place the ZBE setup film in the 4 X 5 glass carrier,
and select the 4 X 5 glass carrier from the main
menu. Install the carrier.
- Select "SETUP LENS" from the Calibration
menu .
- Enter the lens focal length. This is used as name
reference only, the true focal ength will be calculated
automatically.
- Use
,
and
to jog the enlarger into focus at a small size,
which is any position in the lower 10 inches of
travel of the enlarger.
- However, do not jog to a size that is smaller
than Magnification = 1.8, doing so will cause the
focal length to be calculated accurately.
- Use a grain focuser to achieve perfect focus.
Use single taps of
or
in the numeric keypad to fine focus.
- Once on exact focus, press
.
- Measure the magnification using an accurate ruler
or scale, preferably in millimeters. A transparent
ruler works best for easy reading. Measure the distance
between the alignment marks on the setup film. Use
the appropriate marks for each lens, using the wrong
marks will yield an incorrect measurement, due to
lens distortion.
For 135mm to 150mm lenses use the 100mm marks.
For 80mm lenses use the 50mm or 10mm marks.
For 50mm lenses use the 10mm marks.
IMPORTANT NOTE: Accurate measurement of the
magnification will make or break the lens setup. Place
the ruler on the baseboard, aligning it to the left
edge of the marks projected onto the baseboard, then
read the distance to the left edge of the other mark.
If your ruler is marked in one millimeter increments,
try to estimate the distance to a tenth of a millimeter,
that is the accuracy necessary for a good setup.
Enter the magnification ratio. The magnification
is the measured distance at the baseboard divided
by the distance indicated on the setup negative.
For example, you may be setting up a 150mm lens at
about 1.9 X 1, you will be looking at the 100mm marks
projected down on your ruler. You may clearly measure
the distance as 190mm but you must take a guess down
to a tenth, and you may see that the measurement is
closest to 190.5mm. In that case the magnification
you enter is 1.905 (190.5mm/100mm).
- Next jog up the column to position in the top
10 inches of the column.
- Focus to grain sharp, and press
.
- Measure the magnification at this large size and
enter the value.
After the large magnification is entered, the focal
length is calculated and the enlarger goes through
a referencing procedure. After referencing, the lens
setup is complete, and the lens will focus at all
points along the column. If it does not focus properly
or magnification displayed on the keypad is not accurate,
do the lens setup procedure again, being particularly
careful about measuring and entering the correct magnification.
->2 : SETUP
EASEL
Each easel must be setup to allow the autofocus system
to properly calculate the image position when the easel
is in place. To program an easel follow these steps:
- Select the shortest lens available (the 50mm lens
you already setup).
- Install and select the 4 X 5 glass carrier with
the ZBE setup film.
- Select easel "NONE" using the "SELECT
EASEL" item in the main menu .
- At the main screen jog the enlarger to 3 inches
below it's maximum height, (in Autofocus mode).
- Remove the easel from the baseboard.
- Place a large piece of white paper on the baseboard
and mark where the 10mm alignment marks are projected
onto the paper. Do this carefully, using very fine
lines.
- Now select "SETUP EASEL" from the Calibration
menu .
- You will be presented with a list of Easel "NAMES"
to choose from. Select 'A' if it is the first easel.
Write the letter 'A' on your easel for future reference.
- Place the easel on the baseboard.
- Place the paper with the marks on the easel.
- Now use
,
to jog the enlarger up or down until the 10mm marks
exactly line up with marks you made on the white
paper.
- Press
when the marks are perfectly aligned.
The Easel Setup procedure is now complete.
->3: SETUP CARRIER
Each carrier must be setup for proper autofocus operation.
The one exception is the 4 X 5 glass carrier, we recommend
you do not change the setup for this carrier and keep
it as the "zero offset" carrier that is always
used for lens setups. Each carrier may have a slightly
different thickness from it's bottom surface to the
emulsion surface, even a difference of a thousandth
of an inch can make a difference in grain sharpness.
To correct for these variations, setup the carriers
using the following procedure:
- Select the shortest lens available (the 50mm lens
you've already setup).
- Install and select the carrier you wish to setup.
- Select easel "NONE" using the "SELECT"
item in the main menu , remove any easel.
- At the main screen jog the enlarger to 3 inches
below it's maximum height, (in Autofocus mode).
- Select "SETUP CARRIER" from the Calibration
menu .
- Select the appropriate carrier from the displayed
carrier menu .
- Tap
or
and use a grain focuser to achieve a grain sharp
image.
- Press
when grain sharp.
The Carrier Setup procedure is now complete.
->4 : SETUP DROP TABLE
The drop table setup is not applicable to bench mount
and wall mounted Sentinels.
SENTINEL
MAINTENANCE MENU
ACCESS THROUGH ITEM 7 IN THE SENTINEL MAIN MENU.
1: ERASE ONE JOB
2: ERASE ALL JOBS
3: MASTER RESET
->1: ERASE ONE JOB
To erase specific print job memories use this selection.
The display will show the entire list of jobs currently
stored in memory. Use or
to scroll up and down the list or use the numeric pad to enter a
specific job number. Press
if you wish to erase the job. You will be prompted with
an "ARE YOU SURE" message, press again
to permanently erase the job. When a job is erased,
both the sizing information and filtration information
for that job is erased. After erasing one job you may
continue to erase more jobs. When finished, press to get
back to the main screen.
->2 : ERASE
ALL JOBS
To permanently erase all jobs use this menu item. You
will be asked "ARE YOU SURE" and if so, press
to clear all memories. Both the sizing and filtration information
is erased.
->3 : MASTER
RESET
To clear the Sentinel Autofocus system memory and reset
it to its factory settings use this menu selection.
All of the Lens, Carrier, Easel, and Limits, will be
erased. The Sizing/ Autofocus portion of the job memories
will be erased. Information pertaining to the Starlite
Colorhead will not be lost; this includes Master Color
Balance, Emulsion offsets, and colorhead settings stored
in Job Memories. The enlarger will go through the reference
procedure after the memory is cleared.
SENTINEL
DIAGNOSTICS MENU
ACCESS THROUGH ITEM 8 IN THE SENTINEL MAIN MENU.
1: SELF TEST
2: CYCLE MODE
3: TEST MOTORS
4: TEST ENCODERS
5: TEST LIMIT SWITCHES
6: TEST REFERENCE PULSES
7: REFERENCE ENLARGER
8: STACK DEPTH
9: DISABLE CL COLORHEAD
10: SHOW DATA
11: CHECK REFERENCE
12: ENCODER COUNTS
->1: SELF TEST
This diagnostic is an automatic test of the autofocus
measuring encoders system. Select this operation and
the enlarger will perform a referencing procedure. Once
completed the display will show two error counts, one
for each encoder, the errors should always be 0. If
they are not 0 there may be a problem with the measuring
encoders.
->2: CYCLE MODE
When this mode is selected the Sentinel continuously
loads and exposes the 10 highest numbered print job
memories. This is used for factory burn-in procedures.
Press and hold to exit this mode.
->3: TEST MOTORS
This diagnostic is used to manually test the basic
operations of the Sentinel drive system. The drive motors
and their encoders can be checked using this procedure.
Use
or to control the negative stage motor and lens stage motors
independently. The display should read "LENS: STOP
NEG: STOP" when nothing is being moved. and
in the numeric pad control the Lens Motor. (The other
, move the Negative Stage.) Upon pressing near
the numeric pad, the lens stage should move up the column,
and the display should read "LENS: UP NEG: STOP."
In short, each motor should respond by moving in the
direction of
or being pressed, up or down, and the display should give
a solid readout of the direction. If the direction does
not correspond with the movement there may be a problem
with the drive motors. It is important to note that
the limits are disabled in this test, so care must be
taken not to overrun the top and bottom limit switches,
nor to separate the bellows excessively. Damage to the
enlarger may result.
->4: TEST ENCODERS
This diagnostic is used to test the autofocus measuring
encoders. The numbers should roughly correspond to the
lens and negative stage heights from the baseboard in
thousandths of inches. To use this diagnostic, the Encoder
measurement cables need to be accessed. This procedure
can potentially damage the encoder units if not done
carefully. At the main screen, go into Manual-focus
and jog the enlarger to the bottom and then separate
the bellows by about 10 inches. Then go into the "TEST
ENCODERS" diagnostic. The display will have two
number readouts on it, one for Lens and one for Negative.
Gently pull straight up on the measuring cable
that is lying along the front of the column from the
negative stage up to the top of column. Do not pull
this cable more than 12 inches! As the cable is pulled
straight up, both numbers on the display should decrease
in value. As the cable is released, the numbers should
count back up to their original values, within a couple
of counts. NOTE: When releasing the cable, NEVER
let it snap into position. Next partially remove the
bellows at the bottom. You will see the bellows measuring
cable inside at the front left and rear right corners.
Very carefully pull the cable straight down (or as close
to straight down as possible) at the front left
section of the cable, do not pull down more than 8 inches.
When doing this, note the Lens Encoder number: it should
decrease as the cable is pulled, and return to its original
value when the cable is released. If either number returns
to a value grossly different from where it started,
or does not change at all, there is a problem with the
autofocus measurement encoders system.
->5 : TEST LIMIT SWITCHES
This diagnostic is used to test the drive motor limit
switches that are located behind the negative and lens
stage runner plates and behind the bellows on the lens
stage. Each of the three switches can be pressed manually
with the aid a long screwdriver and their status will
be display as "ON" or "OFF" on the
keypad display. If any of the limits read "ON"
(except the "Extra" readout, which always
reads ON) when the enlarger is clearly not at it's limited
positions there may be a problem with the limit switch
detection system.
->6: TEST REFERENCE PULSES
The autofocus measuring encoders have reference pulse
outputs that must work properly when the enlarger performs
its referencing procedure. This diagnostic allows you
to test the two pulses. This procedure can potentially
damage the encoder units if not done carefully. At the
main screen, go into Manual-focus and jog the enlarger
to the bottom and then separate the bellows by 10"
(Ten inches). Then go into the "TEST REFERENCE
PULSES" diagnostic. Gently pull up on the measuring
cable that is lying along the front of the column from
the negative stage up to the top of column. Do not pull
this cable more than 12 inches! For every 4 inches the
cable is pulled the keypad should beep and a number
should be displayed next to "COLUMN ENCODER".
Next partially remove the bellows at the bottom. You
will see the bellows measuring cable inside at the front
left and rear right corners. Very carefully pull the
cable down at the front left section of the cable, do
not pull down more than 8 inches. For every 4 inches
the keypad should beep and a number should appear next
to "BELLOWS ENCODER".
->7: REFERENCE ENLARGER
This diagnostic references the enlarger in the same
manner as when the enlarger is first switched on.
->8 : STACK
DEPTH
This diagnostic is used only for factory testing.
->9 : DISABLE CL COLORHEAD
This diagnostic is used only for factory testing. It
will disable all Colorhead functions.
->10: SHOW DATA
This diagnostic is used for viewing the internal values
for the lens, carrier and easel currently in use. The
focal length and offsets are displayed, but their values
are based on internal calculations and may not be equal
to what is printed on the lens.
->11: CHECK REFERENCE
This diagnostic is an automatic test of the autofocus
measuring encoders system. Select this operation and
the enlarger will perform a referencing procedure. Once
completed the display will show two error counts, one
for each encoder: the errors should always be 0. If
they are not 0 there may be a problem with the measuring
encoders.
->12: ENCODER
COUNTS
In this diagnostic the individual measuring encoder
values are displayed, this is similar to the test encoders
diagnostic.
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